So, what do I/we need to learn to make digital fine art prints? Here’s info I compiled.
ICC Color Managed workflows – How to Make Them Work | |
– Monitor and printer profiling | |
– How and where to apply profiles | |
– Softproofing in Photoshop | |
• Important scanning concepts and practices | |
– Resolution, bit depth, controlling tonal range | |
• Camera Raw file strategies | |
• Photoshop techniques and productivity tips including: | |
– How to establish optimal tonal range | |
– Mastering curves and why that is important | |
– Selection strategies | |
– The power of layer masks | |
– Cloning and Dodge/Burn layers | |
– Blending modes | |
– Sharpening strategies | |
• Targeting for Output to Different Printers | |
• Interpolation Strategies to Upsize Files |
Topics include…
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Topics Include
• Digital Printing Technologies
• Monitor Calibration
• Color Management and Profiles
• Profile Creation
• Fine-Art Papers
• Print Aesthetics in a Digital World
• Fine-Tuning the Print to Beauty
• Print Lighting
Using Adobe Camera Raw and Lightroom for Digital Camera Files
Getting the best results from Digital Camera Files
Scanning
Color Management (covered in depth)
How to insure consistent results from monitor to final print
How do I color-profile my own monitor, scanner, and printer?
Image Processing
Recommended techniques for working on files
The Master File and adjustment layers
Photoshop selection tools—tips and techniques
Setting density and color balance
Retouching, burning and dodging
Preparation of files for output to various printers
Sharpening
Using the “Sharpen Only Edges” action (included)
Equipment Selection
Printers for proofing and final output
Storage for large image files, CD and DVD writers
Presentation
Archival methods of mounting and matting digital prints
explore the recent technological developments in fine art digital printmaking. By combining the latest digital printmaking and image editing technology with traditional fine art photographic printmaking techniques, students will learn how to efficiently optimize their digital images. Participants will learn methods that will enhance their ability to create high quality digital input and output either with their own equipment, or in conjunction with an outside service provider. The class will focus on developing a personal image optimization workflow that encourages a non-destructive and efficient approach to enhancing one’s images. Additional in-depth discussions will include color calibration, color management, advanced imaging techniques, output options, substrate choices, and permanence issues.
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Topics covered include:
- Photoshop CS techniques
- Digital Workflow & Output
- Monitor Calibration
- Choosing the right papers and inks
- Sharpening
- Dodging and burning
- And much, much more
(See also Books and courses BA – fine art printmaking – pro printers)
Another read : my article about 19 century travel photography and old photographic processes